Publishing
L.J. Stanton
READERS WANTED

Advance Review (or sometimes called Reader) Copies are books released to reviewers ahead of publication. These reviewers then post their honest opinions about the book on release day across multiple platforms (like Amazon and GoodReads). Whether it’s a 5 or a 1 star, an honest review is worth it’s weight in gold—which is one of the reasons ARC editions are free to the reviewer.

READERS WANTED
Book Club
L.J. Stanton
Book Club: FOURTH WING by Rebecca Yarros

Our first read is FOURTH WING, by Rebecca Yarros! Book club starts today, but if you're seeing this after Sept. 1 2023 don't worry: you have until the end of October to join and finish the book!

Book Club: FOURTH WING by Rebecca Yarros
Other, Patreon, Book Club
L.J. Stanton
Introducing: The Sword & Board Book Club

Life has been a little all over the place for the past couple months. I had surgery, my sister had surgery, my husband was let go from Twitch, and now we're in the middle of moving! So with all that excitement, the newsletter and Book of the Month went to the wayside. 

I want a way to continue Book of the Month, but in a way that lets me get to know you all better, and lets you see what an author looks for when analyzing and learning from a novel. That means, Book Club Time!

HOW TO JOIN

1. Sign up for a Fable.co Account
2. Join the Sword & Board Discord  
3. Click on the Fable Link pinned in #Book-Club
4. Follow the Fable instructions on how to pick up the book. 

Introducing: The Sword & Board Book Club
Media Critiques, Writing Advice, World Building
L.J. Stanton
Sexual Violence in Speculative Fiction

As an author, my mantra is to tell challenging stories and minimize harm. The major failing I see with sexual violence in many media forms is where the point of view and gaze fall. Particularly in western media, that gaze is often heterosexual masculine. That means sexual violence comes from that same perspective, and makes grotesque GoT Sansa scenes where her rape is all about the men (either perpetrator or witness). The violence is there to horrify and titillate the viewer. We should be horrified. We should never be titillated. Respect for the survivor is missing in these situations. I could break down where this failing is in a lot of media, but I don’t think that is the most important conversation to have. I think the more important questions are: 1) should sexual violence be included in stories for shock value, and 2) how can sexual violence be written.

Sexual Violence in Speculative Fiction
MoA Short Stories, Patreon
L.J. Stanton
The Gods Chronicle Anthology eBook Sampler

If you’re looking at this before May 1, 2022, we’re currently running a special promotion on our Patreon where when you sign up at any tier, you receive the patron-only Gods Chronicle Anthology, volume 1. It is an alpha read edition that gives a great deal of backstory for characters within The Dying Sun, such as Merikh, Loralee, and Nikias. It also gives perspective to oft talked about characters Mansur and Rajiya.

Below are snippets from each of the shorts within the anthology. If you’d like to read them in full, please consider becoming a patron. Tiers start at $5/month. Thank you!

The Gods Chronicle Anthology eBook Sampler

Writing Advice

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Expeditionary Force: A Lesson in Inclusivity

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Expeditionary Force: A Lesson in Inclusivity

Speculative fiction struggles with how to handle disabilities, which is reflective of our society at large. Whether due to age, health, accidents, or other life happenstance, almost everyone will end up struggling with disability at some point in their life (or see it happen in someone they care about). The absence of this within our media only creates stigma around disabilities and chronic illness. Removing disabilities and chronic illness through handwaving, “superior technology” or magic, creates an unrealistic emphasis on wholeness as a moral or correct way of living/existing. Disabilities change as societies evolve, which means they’ll never be gotten rid of. Same with chronic illnesses. DNA will never replicate perfectly. Genetic disorders will always exist without eugenic interference.

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Sexual Violence in Speculative Fiction

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Sexual Violence in Speculative Fiction

As an author, my mantra is to tell challenging stories and minimize harm. The major failing I see with sexual violence in many media forms is where the point of view and gaze fall. Particularly in western media, that gaze is often heterosexual masculine. That means sexual violence comes from that same perspective, and makes grotesque GoT Sansa scenes where her rape is all about the men (either perpetrator or witness). The violence is there to horrify and titillate the viewer. We should be horrified. We should never be titillated. Respect for the survivor is missing in these situations. I could break down where this failing is in a lot of media, but I don’t think that is the most important conversation to have. I think the more important questions are: 1) should sexual violence be included in stories for shock value, and 2) how can sexual violence be written.

Write What You Don't Know

Write What You Don't Know

I don’t write what I know. 

At least, I don’t exclusively write what I was taught in school or by my community. My parents did their very best to broaden my horizons, but there is only so much a parent can teach. While it is hard to know what you don’t know, probing at the boundaries of your ignorance is of the utmost importance to the writer’s soul and candid introspection. 

Writing Advice: How to Write Death & A Personal Anecdote

Death is messy and inconsistent. If you read any books on death (I recommend Stiff by Mary Roach, and Unnatural Causes by Dr. Richard Shepherd) what you’ll come to learn quickly is that sometimes it’s smelly, sometimes it’s messy, sometimes it’s quick and sometimes it’s excruciatingly slow.

As a fantasy author, death is a recurring theme. I write necromancers, after all, and death comes with the territory. While I don’t believe that every detail in a book must be accurate in fiction, some things should be close to reality. There are many myths and mysteries about death. I think that in the U.S. and Canada in particular, we hide from it too much. It is inevitable, and we should be prepared for it. Fiction can help us do just that.

Diversity: It's About More Than Race and Gender

Diversity: It's About More Than Race and Gender

“Your medical record isn’t proof of your condition.”

I’m paraphrasing and summarizing the response I received after four hours of trying to resurrect a dead “Ask Me Anything” on r/IAMA on Reddit. The AMA had gone fantastically, with plenty of engagement from other people with my condition asking questions that the answers might help them make their days (or in one case, the life of their 4-year-old daughter) a little easier. But then, in one fell swoop, a comment appeared from the mods and the post removed. Why?

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How I make money as a writer Part 2- Alternative forms of publishing

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How I make money as a writer Part 2- Alternative forms of publishing

In this article we will review what seem to be newer, or simply alternative forms of sharing your writing with the world.

One of the formats that I did not expect to become as popular as it did, as fast as it did, was pay- per- read formats. I have not yet tried it (As of the time writing this) so I will be drawing off the experience of two other writers who have tried it. I am sure there are plenty of sites that use this format, but the one I am most familiar with is Medium.

Locations as Characters: Hill House and the Overlook Hotel

Locations as Characters: Hill House and the Overlook Hotel

Settings and characters, while usually considered separately, can be the same. Often this is a technique used in horror where the setting itself is evil and attempting to thwart the protagonists. There is a difference between a location that is haunted and a location that is a character, although that line can appear a bit blurry.

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No Mustache Twirlers Here: A Guide to Interesting Villainy

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No Mustache Twirlers Here: A Guide to Interesting Villainy

A book I’ve been excited for, by an author I enjoy and respect, was just released. I’ve been listening to the audiobook edition with my sister and at one point I had to stop it. I could not listen to another repeated line from the villains. It didn’t help that the sound design for the voice was grating, but even if it had been the most melodious of voices I would have hated it. These one-liner villains were what the series had been building up to as part of the Big Bad’s Master Plan. They simply don’t feel adequate to face off against the rather brilliant protagonist. Therefore, this is the perfect time to discuss what makes an enjoyable villain?